Olsson has a clear feel for the emotional wellsprings of both characters, but can't convert her terse lyricism into a fully realized story. In the following excerpt, which is Chapter 26 in the novel, Veronika. Against the backdrop of the changing seasons and their small, plangent houses, the two women slowly tell each other their most closely guarded secrets (which concern their mothers and lovers), and venture, tentatively, out of the safety of their routines. Linda Olsson has written a small novel of amazing depth and beauty. We soon understand that Astrid and Veronika both have suffered great losses in their lives. Reclusive septuagenarian Astrid Mattson, thought by the village to be a witch, takes an interest in Veronika, and the two strike up a friendship based on loss. Astrid and Veronika Readers of Anne Tyler and Jodi Picoult will appreciate the lyrical prose and expert rendering of the themes of heartbreakk and loss. She rents a small house in a rural town to work on her second, but in solitude finds herself seized by feverish dreams and paralyzed by the "stillness" of the landscape and the memories of her recently dead fianc. In Swedish novelist Olsson's somber debut, Veronika Bergman returns to Sweden after a childhood following her diplomat father around the world (her mother abandoned the family), and after publishing her first novel titled Single, One Way, No Luggage.
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